News

July 24 – August 1, 2019 – Harvard University
Parameter / Perimeter
audiovisual installation diptych created in collaboration with visual artist Pauline Shongov and guest sound-artist Brad Nathanson, in two locations of Harvard University campus


May 11, 2019 — Paine Hall (Harvard University)
For SAAAM
performance by Uri Schreter (piano & laptop) and Julien Vincenot (laptop)
spatialized on HYDRA loudspeaker orchestra 

January 20, 2019 — Winnipeg Art Gallery
silent_data_corrupt for alto saxophone and live computer
performed by Prof. Allen Harrington

January 7-13, 2019 — Conservatoire de Roissy-en-Brie
First residency with the Listen Ensemble,
preparing for the next iteration of the Game Theory project :
- individual meetings with musicians around interactive / live-generated notation and idiomatic writing for specific playing techniques
- collective meeting and discussions around the core artistic concepts of the project

December 5, 2018 — Holden Chapel (Harvard University)
Game Theory #0 for flute, generative score and live electronics — feat. Taiga Ultan
composed during Claire Chase‘s course 21st Century Flute Workshop

November 1-3, 2018 — Guest Composer at Desautels Faculty of Music, Winnipeg
- seminars on mixed music and computer music research, especially constraint-based generative systems and interactive / live-generated notation
- performance of silent_data_corrupt for alto saxophone and live computer, by Prof. Allen Harrington (Midday recital series – Eva Clare Hall)
- research session with Prof. Örjan Sandred on future CAC applications in Max

June 3, 2018 (18:00) — Paris
Cycle Hāshiya: Matn
for string quartet and live computer (premiere, commissioned by Ina GRM)
with Quatuor Leonis / Ensemble de Musique Interactive
Studio 104, Maison de la Radio

Dec. 2017 – Jan. 2018 — France
Residency in GRM studios — Radio France

October 2017 — China
• Fire & Forget for piano and live computer (premiere)
commissioned by the Electronic Music Week Festival
• « LISP in Max: Exploratory Computer-Aided Composition in Real-Time »,
new article to be presented during ICMC 2017
Shanghai Conservatory of Music (China) 

September 2017 — U.S.A
PhD candidate in composition at Harvard University
under the guidance of Chaya Czernowin and Hans Tutschku

April 2017 — France (premiere)
Freeze, Flight or Fight for saxophone, percussions and live computer
(with Scapegoat duo)

October 2016 — France
« On “slow” computer-aided composition »,
new article in OM Composer’s Book Vol. 3 (IRCAM - Éditions Delatour)

September 2016 — Budapest
Residency with Listen Ensemble and Murcof
working on a remix of Terry Riley’s IN C on 4DSound spatialization system

April 2016 — Arc-et-Senans
silent_data_corrupt for alto saxophone and live computer
William Besserer, saxophone (Ensemble de Musique Interactive)
Journée Architectures et géographies imaginaires
Saline Royale d’Arc-et-Senans (France)

October 18th-25th 2015 — China
Conference
« Algorithmic composition and electronic interactions
in Mémoire de l’eau for accordion and live computer »
during the course of Pr. SHEN Ye
(“The creation of sounds in contemporary music”).
 Performance
silent_data_corrupt for alto saxophone and live computer
SHEN Chang, saxophone (SHCM)
« Creation of Sounds » Concert and Competition
EMW Festival 2015 (Electronic Music Week)
Award
silent_data_corrupt received the 2nd prize (“Most Creative and Talented”)
from the EMW jury after the performance of SHEN Chang.
A new piece, commissioned by the festival, will be created in Shanghai in 2017.
Shanghai Conservatory of Music (China)

July 1st 2015 — France (premiere)
Mémoire de l’eau
for accordion and live computer (premiere)
Yohann Juhel, accordion (CNSMDP)
Espace Maurice Fleuret
Conservatoire national supérieur de musique et de danse de Paris

March 27th 2015 — France
silent_data_corrupt

for alto saxophone and live computer
Stéphane Sordet, saxophone
Festival Electr[]cution (organized by Ensemble Sillages)
Passerelle, Centre d’art contemporain – Brest (France)

January 15th 2015 — Italy
silent_data_corrupt
received the Special Prize from Di_Stanze Festival‘s jury,
after Michele D’Auria‘s performance in Salerno (October 2014).

January 9th – June 19th 2015 — France
Formation en programmation avec les environnements graphiques MaxMSP et PWGL
pour la conception de logiciels personnalisés à des fins pédagogiques et créatives,
dans le cadre du projet régional Ariane# piloté par la DRAC de Franche-Comté.
Les 9 janvier, 16 et 17 janvier, 30 janvier, 13 et 14 février, 13 et 14 mars, 10 avril, 17 et 18 avril, 24 avril, 22 mai, 5 et 6 juin, 19 juin 2015 au CRD de Montbéliard.

November 24-28th 2014 / March 2-6th  2015 — France
Formation intensive aux techniques du studio et aux applications de production sonore,
dans le cadre du projet régional Ariane# piloté par la DRAC de Franche-Comté.
CRD de Montbéliard et de Dole.

December 6th 2014 -19:30  — France
Release Party of Elli Records / Tsuku Boshi labels
Introducing in particular the new Fulgurite EP (Elli Records)
and The Plant digital-EP (Tsuku Boshi) by Unmapped collective.
Live performances by Unmapped, StahlstuhlMeryll Ampe & Julien Beau
Galerie Ygrec
 (Paris) 

October 31st 2014 – 19:00 — Italy
silent_data_corrupt

for alto saxophone and live computer (italian premiere)
Michele D’Auria, saxophone
Di_Stanze Festival - Conservatorio G. Martucci – Salerno (Italy)

April 5th 2014 – 16:00 — France (premiere)
silent_data_corrupt
for alto saxophone and live computer (premiere)
Nikita Zimin, saxophone (CNSMDP)
Ateliers du Cursus 1
IRCAM – Centre Pompidou